Tang Contemporary Art presents “Recollection Pierces the Heart”in Hong Kong

TIME: 2020.8.20

Chen Tianzhuo, EXO-performance (Belo, Baby Chinayu), 5'43'', Video, ED2:5+1AP, 2019.pngChen Tianzhuo, EXO-performance (Belo: Baby Chinayu), 5'43'', Video, ED2/5+1AP, 2019

Tang Contemporary Art presents “Recollection Pierces the Heart”, the solo exhibition by young Chinese artist Chen Tianzhuo, at their Hong Kong gallery space. The exhibition includes Chen’s installations, videos, paintings, digital sculptures and lightbox design work. Mixing media such as dance, ritual ceremonies, fashion, literature, painting, drawing, installation, video and performance, his works incorporate religious symbols into iconographic elements, all borrowed from various urban subcultures that are shared by a global youth culture. Chen’s works surpass the realm of visual art, bringing a multi-faceted, multi-sensual experience, achieving what the artist calls “spiritual activism”.

 Chen Tianzhuo, Recollection Pierces the Heart-Stupas, 160x120x10cm, Unique, MDF carving, painting, oil painting stick, 2020.jpg

Chen Tianzhuo, Recollection Pierces the Heart-Stupas, 160x120x10cm, Unique, MDF carving, painting, oil painting stick, 2020

Once acclaimed as “one of the most promising artists of his generation” by the Palais de Tokyo, Paris, Chen Tianzhuo was part of the generation born in the 1980s, so he grew up in a very different context from the previous generation of Chinese artists. His life and creative growth differ greatly from the previous generation of Chinese artists. Living in an era imbued with boundless information, rapid cultural exchanges, and constant self-expression, Chen conceives art not to dismantle past creations but to reflect the current state of our rapidly changing world.

Chen Tianzhuo, Ishvara Portrait-Amelie, 160x107x5cm, Ed1:5+1AP, Light box-imported light box cloth, aluminum back plate, 2020.jpg

Chen Tianzhuo, Ishvara Portrait-Amelie, 160x107x5cm, Ed1/5+1AP, Light box-imported light box cloth, aluminum back plate, 2020

Using references and imagery from traditional mythology and contemporary culture, Chen Tianzhuo constructs a pseudo-synesthetic world with his creations. While referencing enlightenment concepts brought about by religion in the old world, the artist highlights digital technology’s effect in providing us with novel, digital, and avant-garde experiences. The relationship between body and soul as well as dream and reality explored by the artist is just as mysterious and kitsch as his parties and animistic works.

About the artist

Chen Tianzhuo was born in 1985, Beijing, China. After receiving his Master’s in Fine Arts degree from the Chelsea College of Art and Design in London, Chen Tianzhuo began synthesizing the artistic disciplines of installation, performance, video, drawing, and photography. He adopts an eclectic and multidisciplinary practice that blurs the boundaries between visual and performative art. Many of his exhibitions consequently require audience participation and collaboration, taking the form of underground parties, choreographed performances, and constructed ritual sites. Chen also mixes religious iconography, dance, subculture, and popular culture within his artworks, giving the audience an experience that transcends both superficial states of the body and spirit; ultimately arriving at what the artist himself refers to as a “state of madness”.


Chen Tianzhou’s strong artistic purpose has allowed his artworks to be exhibited internationally. His notable solo exhibitions include “TRANCE”, M Woods Museum 798, Beijing, China (2019); “GHOST”, Kunsthalle Winterthur, Winterthur, Switzerland (2017); “Tianzhuo Chen”, Palais de Tokyo, Paris, France (2015). He has also participated in group exhibitions, such as “Co- constructing” Suzhou Jinji Lake Art Museum, Suzhou, China (2020); “Anti-” Athens Biennale, Athens, Greece (2018); “FRONT International: Cleveland Triennial for Contemporary Art”, Museum of Contemporary Art (MoCA), Cleveland, USA (2018).


His works have been collected by K11 Art Foundation, Hong Kong; MAB Society, Shanghai, China; Palais De Tokyo, Paris, France; M Woods Museum 798, Beijing, China; Suzhou Jinji Lake Art Museum, Suzhou, China; Kunsthalle Winterthur, Winterthur, Switzerland, among others. Chen has been awarded the Huayu Youth Award at the 4th Art Sanya Biennale.


About the curator

Graduated with the master’s degree of Visual Art from The Royal Danish Academy of Fine Arts, Kuang Wei lived in Denmark for 15 years before he moved to Beijing in 2007. He founded the Faurschou Foundation in Beijing and since then he has held the position of Art Director for Faurschou Foundation, Executive Director at Red Brick Art Museum, Art Director of Star Foundation (Hong Kong) and Red Brick Art Foundation (Hong Kong), bringing numerous programs to the academic institutions.


About the exhibition

Curator: Kuang Wei

Exhibition Dates: August 20 - September 27, 2020

Location: 10/F, H Queen’s, 80 Queen’s Road Central, Central, Hong Kong Media Preview: Thursday, August 20, 3 - 6 pm

Opening Reception: Thursday, August 20, 6 - 8 pm

*Curator will be available for interviews, please contact us in advance for scheduling.

Courtesy of the artist and Tang Contemporary Art, for further information please visit https://www.tangcontemporary.com.