Chen Wenling: Desires and Fantasies of the Colossus
Invisible Anxiety: An Interpretation on Wang Chuan’s New Work
“Stars 1979”: A Retrospective Approaching Historical Reality
Today, fiber art still needs interpretation.
Injecting Fresh Vitality into Contemporary Culture: The Humanist Spirit Behind Liu Shiming’s Sculpture
The Spiritual Journey of “Savant II” in New York: “Chinese Method” Under a Western Perspective
Sarah Lucas: Humorous Subversion from “Feminism” to a “Social Context”
How can the 798 Art District bear the “night economy”?
Myth, Narrative, Metaphor and Transformation: Matthew Barney and “Redoubt”
Could the model of regional art exhibition recreate the myth of the Anren Biennale?
“Eyes of Concern: Li Yang’s Chinese Painting Exhibition” Commenced
1990-2019: Beijing Flash Biennale—The Evolution of Beijing’s Art Districts & Studios
Social Scenery Solidifying the Epoch: How does artist Li Yousong tell stories?
Youth Theatre: Graduation Exhibition comes every year, what is different this year?
Jin Shangyi: Painting Fearless of Age for the Earnest Fun I’ve Had
What has been under the Shadow: Wang Gongxin Solo Exhibition at the Bunker
The Coincidence of Virtual Technology and Garden Landscape: Exhibition of Sui Jianguo was unveiled
In Memoriam Zou Yuejin—Idea and Art interprets “spiritual productivity” across 22 Years
Thoughts on the Destiny of Land: Liu Haigang’s “Absolute Control II” was unveiled at Wu Xun Gallery
Interpretation of 24 Items in a List of Qiu Zhijie through "Mappa Mundi"
The Solo Exhibition of Pang Maokun’s Artworks “The Encounter with There-Being” Presents an Inner Gaze born from the Heart
Visiting “Painting/Living” before Going out Sketching: Research Art Exhibition by Lin Gang
Fan Di’an: Brief Greeting to Arata Isozaki
The Controversy Aroused by the Plagiarism Accusation Against Ye Yongqing: How “deep” an influence could art be?