Étude by the Sea: Waking up to the Very Life We're Living
2020.6.8 Dates： May 23 - Aug 23, 2020
The Armory Show’s trends and new measures in 2020
Embracing Suffering Days with Art
Art Enables Us to Deeply Understand Diseases and Healing
How can the space provide artists’ monologues with dialogues?
Chen Wenling: Desires and Fantasies of the Colossus
Invisible Anxiety: An Interpretation on Wang Chuan’s New Work
“Stars 1979”: A Retrospective Approaching Historical Reality
Today, fiber art still needs interpretation.
Injecting Fresh Vitality into Contemporary Culture: The Humanist Spirit Behind Liu Shiming’s Sculpture
The Spiritual Journey of “Savant II” in New York: “Chinese Method” Under a Western Perspective
Sarah Lucas: Humorous Subversion from “Feminism” to a “Social Context”
How can the 798 Art District bear the “night economy”?
Myth, Narrative, Metaphor and Transformation: Matthew Barney and “Redoubt”
Could the model of regional art exhibition recreate the myth of the Anren Biennale?
“Eyes of Concern: Li Yang’s Chinese Painting Exhibition” Commenced
1990-2019: Beijing Flash Biennale—The Evolution of Beijing’s Art Districts & Studios
Social Scenery Solidifying the Epoch: How does artist Li Yousong tell stories?
Youth Theatre: Graduation Exhibition comes every year, what is different this year?
Jin Shangyi: Painting Fearless of Age for the Earnest Fun I’ve Had
What has been under the Shadow: Wang Gongxin Solo Exhibition at the Bunker
The Coincidence of Virtual Technology and Garden Landscape: Exhibition of Sui Jianguo was unveiled
In Memoriam Zou Yuejin—Idea and Art interprets “spiritual productivity” across 22 Years
Thoughts on the Destiny of Land: Liu Haigang’s “Absolute Control II” was unveiled at Wu Xun Gallery