Zhang Chen: "Body, Space, &Time: A Study on Deleuze's Art Theory"
The Thirty “Drifting” Years of Huang Yong’s Art: How to know the enjoyments of fish if you are not a fish?
Chen Shuxia: Enjoying the Process of “Playing Cards”
2020.9.9 Dates: Aug 15 - Oct 11, 2020
Wang Min'an: Game of Wood Board, Image and Object
Étude by the Sea: Waking up to the Very Life We're Living
2020.6.8 Dates: May 23 - Aug 23, 2020
The Armory Show’s trends and new measures in 2020
Embracing Suffering Days with Art
Art Enables Us to Deeply Understand Diseases and Healing
How can the space provide artists’ monologues with dialogues?
Chen Wenling: Desires and Fantasies of the Colossus
Invisible Anxiety: An Interpretation on Wang Chuan’s New Work
“Stars 1979”: A Retrospective Approaching Historical Reality
Today, fiber art still needs interpretation.
Injecting Fresh Vitality into Contemporary Culture: The Humanist Spirit Behind Liu Shiming’s Sculpture
The Spiritual Journey of “Savant II” in New York: “Chinese Method” Under a Western Perspective
Sarah Lucas: Humorous Subversion from “Feminism” to a “Social Context”
How can the 798 Art District bear the “night economy”?
Myth, Narrative, Metaphor and Transformation: Matthew Barney and “Redoubt”
Could the model of regional art exhibition recreate the myth of the Anren Biennale?
“Eyes of Concern: Li Yang’s Chinese Painting Exhibition” Commenced
1990-2019: Beijing Flash Biennale—The Evolution of Beijing’s Art Districts & Studios
Social Scenery Solidifying the Epoch: How does artist Li Yousong tell stories?
Youth Theatre: Graduation Exhibition comes every year, what is different this year?
Jin Shangyi: Painting Fearless of Age for the Earnest Fun I’ve Had