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Kang Jianfei summed up the clues contained in the exhibition in this way, “The first one is the printmaking itself, the second one is teaching, and life is another one. Through this exhibition, I also have a review and reflection on my past ego. Confucius said, “At fifty, I knew the mandate of heaven,” “Timberverse” is reminiscent of its Chinese homonym “wood has been made into a boat”(what’s done is done), so that this exhibition contains the artist’s sense of readily accepting his fate when he conceded in retrospect.

Reviews Interviews

Liu Libin: Industrial Readymade Product as the Creative Catalyst – Creation of an example of a Welded Sculpture in Datong Gasworks

2013.8.2

Chen Qi: Focus on Version and Cultural Consciousness

2013.7.13

Ding Zhaochen: the Features and Expression Forms of New Media Performing Art

2013.2.22

Dissolution of the Sacred Status of the Art Museum

2012.12.4

Penetrating Ink and Brush: Appreciation of New Works by Zhang Yanzi

2012.11.23

Theatre of Forms and Thoughts--A Brief Talk about "Vanishing Techniques-Photography of Jean Baudrillard"

2012.10.30

Perceived Youth Arts - Speaking from the "Double Fly Art Center"

2012.9.26

Considerations About "the Viewer" in the Field of Contemporary Art

2012.9.13

Will Things Ever Get Better? --A Discussion between Chen Jiaying and Xiang Jing, Part VI & VII

2012.7.19

To Consider the UCCA as a Non-Profit Organization from the Viewpoint of Arts Management

2012.7.13

Several States of Zhan Wang’s Creation: Sonorous, Zeroing, Confronting and Moderate (Part VI)

2012.6.25

Will Things Ever Get Better? –A Discussion between Chen Jiaying and Xiang Jing, Part V

2012.6.18

Between Texts and Pictures: Second-hand materiel and Imagination of China - Enlightenment from the Early Illustrations of Hans Christian Andersen's Fairy Tales

2012.6.4

When History Returns to Painting Through Photography(Part II)

2012.5.25

Several States of Zhan Wang’s Creation: Sonorous, Zeroing, Confronting and Moderate (Part IV & V)

2012.5.21

When History Returns to Painting Through Photography(Part I)

2012.5.17

Will Things Ever Get Better? –A Discussion between Chen Jiaying and Xiang Jing, Part IV

2012.4.28

Will Things Ever Get Better? –A Discussion between Chen Jiaying and Xiang Jing, Part III

2012.4.12

Several States of Zhan Wang’s Creation: Sonorous, Zeroing, Confronting and Moderate (Part II & III)

2012.4.5

"Summer Palace" Era and I

2012.3.29

Viewed Tibetan

2012.3.19

"Intimation and Illusion"—Taking "Yellow Signal" for instance to comment on the artistic language of borrowing and ambiguity of Wang Jianwei

2012.3.9

Will Things Ever Get Better? –A Discussion between Chen Jiaying and Xiang Jing, Part II

2012.3.6

Return to “The Primitive"

2012.3.2