Interviews

German Art after World War II: How to revitalize a nation from calamities?

2017.10.2

Interviews

The Discussion Waiting for a Conclusion: Symposium of 30 Years of Chinese Video Art

2017.9.19

Interviews

Ring as State, Breath as Root: Zhou Li Talked about the State of Creating

2017.9.15

Interviews

Yin Siwen “Absolute Center”: Constructing a New Order of Planar Painting

2017.8.29

Interviews

Ma Lei: Self-Projection in the Spiritual World

2017.8.28

Interviews

Interview with the Winner of “First Step Nominated Award” Chen Guobao: I Don’t Know

2017.8.27

Interviews

Tao Yuan: It is as Painful as Being Bitten by Mosquitoes, But the Feeling is Full of Life

2017.8.21

Interviews

Interview with a Winner of “First Step Nominated Award” Wu Tianyue: Art History Does Not Cool One’s Heel

2017.8.18

Interviews

Tang Moxi: Open a Book Can’t be Opened

2017.8.14

Interviews

Interview with a Winner of “First Step Nominated Award” Ji Wenjun: VR and Wake up in the Future

2017.8.7

Interviews

Interview with a Winner of “First Step Nominated Award” Zhang Jinyuan: Living in the Era of My Life

2017.8.4

Interviews

Yu Yang: Centennial Exhibition of Zong Qixiang and the Integration & Exploration of Night Landscape Painting

2017.8.1

Interviews

Winner of “First Step Award” Su Yongjian: Playing Art, Playing Science and Technology, Only Doing My Favourite Thing

2017.7.28

Interviews

Chen Lin “Seeking an Inward the Voice”: The Shape of Life

2017.7.21

Interviews

Wang Chenxu: Western Painting and Chinese Feelings

2017.7.19

Interviews

Zhang Yizhi: Design Arises and Blossoms in Cold Ashes

2017.7.12

Interviews

Interview with David Handley: The relationship with artists and the public in Sculpture by the Sea, is always dynamic.

2017.7.3

Interviews

Zhou Han: “The Golden Note” – An Aggregation of Romance

2017.6.28

Interviews

Liu Lei: Exploring the Paper Art in the World of Prints

2017.6.23

Interviews

Su Rina: Glitch Art, Controllable Reconstruction of Order

2017.6.22

Interviews

Yu Yutian: Imagination is My Understanding of a Pure Mind

2017.6.21

Interviews

Liu Yazhou: Sculpture is Not Just Born at the End of an Artist’s Production

2017.6.20

Interviews

Cui Ailan and "Silence of Nirvana": Wood Chips and Residual Lotus

2017.6.16

Interviews

Qu Daner’s “Weizhou Fishes”: Reflections on the Ontological Language and Concept of Painting

2017.6.15