
Who is Wang Huaxiang?
2021.3.10

Where Does the Anxiety Come from?—The Route from the Burrow to the Peach Colony
2021.1.19 Dates: Dec 19, 2020 - Mar 28, 2021

Permanence in Flux: Chen Dongfan’s “Poster” and “Story” series from the Time of Pandemic
2020.12.17

“Reading” Hu Yichuan: Standing on the Frontline of Life Forever
2020.12.4 Dates: Nov 18 - Dec 23, 2020

When we are talking about “contemporary ink art”, what are we exactly referring to?
2020.11.5 Dates: Sep 24, 2020 - Jan 24, 2021

Zhang Chen: "Body, Space, &Time: A Study on Deleuze's Art Theory"
2020.10.12

The Thirty “Drifting” Years of Huang Yong’s Art: How to know the enjoyments of fish if you are not a fish?
2020.9.23

Chen Shuxia: Enjoying the Process of “Playing Cards”
2020.9.9 Dates: Aug 15 - Oct 11, 2020

Wang Min'an: Game of Wood Board, Image and Object
2020.9.5

Étude by the Sea: Waking up to the Very Life We're Living
2020.6.8 Dates: May 23 - Aug 23, 2020

The Armory Show’s trends and new measures in 2020
2020.3.20

Embracing Suffering Days with Art
2020.2.26

Art Enables Us to Deeply Understand Diseases and Healing
2020.2.20

How can the space provide artists’ monologues with dialogues?
2020.2.5

Chen Wenling: Desires and Fantasies of the Colossus
2020.1.22

Invisible Anxiety: An Interpretation on Wang Chuan’s New Work
2020.1.20

“Stars 1979”: A Retrospective Approaching Historical Reality
2020.1.14

Today, fiber art still needs interpretation.
2019.12.24

Injecting Fresh Vitality into Contemporary Culture: The Humanist Spirit Behind Liu Shiming’s Sculpture
2019.12.11

The Spiritual Journey of “Savant II” in New York: “Chinese Method” Under a Western Perspective
2019.12.2

Sarah Lucas: Humorous Subversion from “Feminism” to a “Social Context”
2019.11.13

How can the 798 Art District bear the “night economy”?
2019.10.21

Myth, Narrative, Metaphor and Transformation: Matthew Barney and “Redoubt”
2019.10.17

Could the model of regional art exhibition recreate the myth of the Anren Biennale?
2019.10.9