Wu Xiaohai: Intranquil Nature
"Su Xinping: Long Journey" is on display at 2022 Art Changsha
Shao Dazhen: The Exhibition Featuring His Achievements Presented by China Federation of Literary and Art Circles
He Xilin: Image, Text and Interpretation
Li Fan: Why Am I Concerned with Art Education?
Tao Lei: "Return to Nature"
Feng Mengbo: "A Great Collector"
Eight Questions for Internationally Acclaimed Artist Xu Bing
Li Jun: Insights into the Art History
Wu Jian'an: How Was Death Invented?
Wang Chuan: Photography as Your Choice
Xi Chuan: The Scope of Artists' Manoeuvring
Wang Huaxiang: I have always been fighting alone
Fan Di'an: How Shall We Get Insights into the New Epoch with Art
Li Jie—“Depictions of Time”, the Simple Life Attitude in the Post-Industrial Era
Hu Jing—"To See the World in a Grain of Sand”, A Bar Owner Who Dreams of Contemporary Art
Chen Haoyang—A Film Director Without a Background in Contemporary Art Cannot Make a Decent Art Film Director?
Zhang Wenrong—A Man from Northwest China Who Attempts to Flood the Gobi Desert with Art
Wang Wenting—From Professional Designer to Artist, is it an Advance or a Retreat?
Xu Feng—To Embrace the World While Wearing the Mask of a “Rabbit”
Mo Bao—A Chinese Ink Artist Cannot be a Great Artist Without Dreaming to Become a Rock Star
Fu Xiaotong—The Holes on Rice Paper, Aren’t They a Breath of Life?
Bu Yunjun—A Black Photo on a Black Canvas, Is That a Dark Melody of Light?
Huang Wenya—Performance as Art, Art as a Performance